February 2015
The composition’s organisation is masterful, but it’s the improve sensitivities of its interpreters – vivid characters, all – that brings it so energetically to life... This is focused music-making, not a montage of extended-technique sonics, and it channels the same energy as most compelling acoustic improv. I can’t think of another recording in which the input and effects of electronic and acoustic musicians are on quite such an equal footing.